'Most of this could be done, also in 'Wavepad', which I value highly, it's just that 'Wavosaur' gives a clearer oversight of what you are up-to, plus a tad more versatility. For the greatest flexibility your audio could be separated from its video, processed in 'Wavosaur' and 'imported' back into your video-editor again once it is to your satisfaction. In your case, if you are able to separate the audio from the video easily, there would be all sorts of possibilities to be derived from using 'WavePad', 'Wavosaur' etc. In fact, I would rather use an audio-compresser' (eg Kjaerhus GUP-1) than 'normalise'. I never 'normalise', but instead, set up the loudest of my tracks to be just below 0dB on the 'level' meter, (when 'peaking') and lower other levels accordingly. There is an excellent audio-level meter available in 'Wavosaur'. For subsequent mixing, it is usually processed in 'Reaper', then finalised in 'Wavosaur'. It is necessary to create separate 'wave' files for each instrument group (I have a symphony Orchestra on 16 tracks, usually), which goes into 'WavePad' to be cleaned-up in respect of unwanted audio artifacts. I write music for my own video-productions using a 'notation' programme and Digital Audio Workstation, (usually 'Reaper' or 'Ableton'). 'Wavosaur' is a handy audio-editor, but it is also a 'VST-Host' which allows you to create your own customised profiles/settings for all of your plug-in/filter products. One programme which allows you to do almost everything you might want to do with plug-ins ('filters' if you insist), originates from France and is known as 'Wavosaur'. programme 'Reaper' may not only be downloaded in a single download, but are also 'free' as well, (I have a non-commercial licence for 'Reaper', which I use for music purposes). I have no doubt there are other excellent audio plug-ins out there as well, and the ones used in the D.A.W. The nine plug-ins in this set work extremely well in almost all 'audio' situations (and yours, after-all, is essentially an 'audio' situation). They are the 'Classic' series, from 'Kjaerhusaudio' in Denmark. Now, you might wonder why I am rambling on at a bit of a tangent on this-one, but I use the same 'kit' of VST 'filter' plug-ins for just about every purpose under-the-sun. For some reason I have to set up both channels separately using the 'WavePad' VST setup, and I cannot write 'profiles' of my own and save them there. Sheri2, I use 'WavePad' for a variety of purposes, especially for its excellent noise-suppression based upon sampling, but I find its 'VST' setup a bit constricting.
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